16 877 безкоштовних аудіофайлів для "Midi Files Of Musical Intervals"

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Viennese fourth chord.

Sharpened subdominant with diminished seventh chord in C.

III+7M chord in C minor.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Major triad on C. Created using Sibelius.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Ives quarter tone fundamental chord.

Harmonic Scale chromatic on C.

E♭ natural minor scale ascending and descending.

A-sharp melodic minor scale ascending and descending.

A-sharp harmonic minor scale ascending and descending.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

A-flat harmonic minor scale ascending and descending. No pitch bend.

A-flat melodic minor scale ascending and descending. No pitch bend.

B♭ natural minor scale ascending and descending.

G♯ natural minor scale ascending and descending.

Hungarian major scale on C

E-flat melodic minor scale ascending and descending.

E-flat harmonic minor scale ascending and descending.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

Mystic chord Acorde místico

Chopin's Prelude in C minor modulates within the first three measures.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Leading-tone seventh chord in C major.

Add6 chord on C

Half-diminished seventh chord on sharpened supertonic in C.

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Half-diminished seventh chord on sharpened subdominant in C.

Augmented triad on C, As MIDI

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Parrallelism in music (example).

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

Augmented dominant seventh chord on C

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

*257th harmonic on C = ??. Just: 257:256 = 6.75 cents. Limit: 257-limit. MIDI pitch bend: 20,66

*Sixty-fifth harmonic on C = C. Just: 65:64 = 26.84 cents. Limit: 13-limit. MIDI pitch bend: 75,72